Luca Meola

Cracolândia

Cracolândia, è il nome di un unico blocco di edifici nel centro di San Paolo, in Brasile. La zona ospita circa 1.600 persone al giorno, che vivono per strada o entrano per comprare e consumare crack, giorno e notte. Questa terra è un limbo, una sorta di comunità, con le sue peculiarità e regole: chi si perde per le strade di Cracolândia sceglie di vivere in una sorta di totale libertà al di fuori della società; ma per chi si lascia dominare dalla dipendenza, il prezzo da pagare è spesso molto alto. Per decenni, il quartiere è stato una sfida per il governo della città. Dal 2014 al 2017, il progetto “Open Arms” ha offerto ai tossicodipendenti alternative tra cui alloggio, cibo e lavoro. Ma dopo il 2017, un cambiamento nell’amministrazione della città da un governo di sinistra a un governo più di destra ha visto il passaggio della strategia a costringere i tossicodipendenti nelle cliniche di riabilitazione, nonché a massicce operazioni di polizia che hanno radunato i tossicodipendenti.

Da un lato questa guerra alla droga e alla dipendenza è stata usata come giustificazione per la gentrificazione: demolire vecchie case e costruirne di nuove, che consegna profitti alle imprese edili e spesso sfolla i locali quando i residenti della classe media e alta si trasferiscono. Dall’altro, il vuoto lasciato dallo Stato è stato riempito dalla presenza di organizzazioni per lo più legate alle chiese evangeliche: oggi a Cracolândia l’unico modo per liberarsi dalle crepe è abbracciare Dio. Documentando questa terra per tre anni, ho conosciuto molti tossicodipendenti, e ho scoperto che i fattori che portano alla loro fine in strada vanno oltre il loro consumo di crack: disuguaglianza, disoccupazione e mancanza di politiche pubbliche di sostegno. La maggior parte delle persone che frequentano questa zona è nera o bruna, e molti hanno passato del tempo in carcere: fino a un certo punto e non per tutti, far parte di Cracolândia è una scelta. Nel Brasile di oggi, che diventa ogni giorno più povero e irregolare, il crack non è la radice del male, ma il sintomo di una società malata.

Índio Badaross
Índio Badaross, who lives in the streets of Cracolândia, develops paintings and performances using paint and supports found on the street while practicing his profession as a recyclable material collector. He is a member of the collective Biricoarte, a group of artists united to strengthen projects in this stigmatized territory.

© Luca Meola

Jhonatan and his cachimbo
Jhonatan smokes a crack rock in a “cachimbo”, a handmade aluminum pipe, in the region known as Cracolândia. The crack is a substance obtained by mixing cocaine-based paste with sodium bicarbonate and water. The result is a small rock that is smoked. The effects are 6 times stronger than cocaine and do not last longer than 5 to 7 minutes.

© Luca Meola

Fábio
Fábio, who has been coming to Cracolândia’ for many years, proudly displays his tattoos. During the day, he washes car windshields at traffic lights.

© Luca Meola

The bread shepherd
José Carlos, also known as the “bread shepherd”, is one of the most emblematic figures of the region. Five years ago, he began to attend the flow of drug addicts handing out bread, juice and words of comfort. He does this every morning, while at night he works as a street sweeper to support his family who live in the suburbs.

© Luca Meola

Aika
Aika is a transsexual from the eastern state of Bahia and moved to São Paulo some years ago in search of a better life, but she started smoking crack and has lived on the streets of Cracolândia ever since. Brazil is the country with the highest number of lethal crimes against LGBT people in the world.

© Luca Meola

In God’s name
Every day, the fluxo-goers (fluxo is called the open-air crack market) stand in line and thank God before receiving the meal. Most of the organizations that work in the area are linked to evangelical churches.

© Luca Meola

Boca do lixo
Two transsexuals have just received a basic basket as a donation. Cracolândia is an open-air theater. Certain street scenes take you back to when the area became known as “Boca do Lixo” ( Trash Mouth) and several films were produced. The cinematographic genre of “pornochanchada”, a popular comedy combined with a good dose of eroticism, was born in the early 1970s in this region.

© Luca Meola

Dona Graça
For more than 20 years, Dona Graça has managed Pensão Dino Bueno, located right in the heart of Cracolândia. With a few rented rooms, the hostel also serves as a refuge for abandoned animals in the neighborhood. Currently, about forty dogs, twenty cats and a duck live together there, spread among the different floors of the building.

© Luca Meola

Mara
Mara lives in a tenement in the neighborhood with her three children. As two of her three children suffer from cognitive disabilities, Mara was given an apartment in a suburban neighborhood by social services. This apartment would be bigger and cheaper, but Mara doesn’t want to leave Cracolândia because over the years she has built strong bonds and relationships in this community.

© Luca Meola

A complex microworld
A sidewalk in the heart of the neighborhood. This context is a microworld much more complex of what is usually described on the surface. In addition to drug dealers and Crack users and police officers patrolling the area, many families live in dilapidated buildings on the block and there is no shortage of commercial activities.

© Luca Meola

The metralha brother
Edson claims to be the last survivor of a group of thieves called “Metralha Brothers”. During a shootout with the police, he lost a cerebral hemisphere while his two brothers died. Today he lives in a tent in the Princesa Isabel Square, a few blocks from Cracolândia.

© Luca Meola

Princesa Isabel Square
Princesa Isabel Square is located a few blocks from Cracolândia. Among the visitors of this context, are those who sleep on the sidewalk, those who rent a room or bed in hotels in the area and those who camp in tents in this square.

© Luca Meola

Abinel
Abinel is 65 years old. He was a transporter, but due to an accident he had to stop working. He has no family and with the money from the disability pension, the maximum what he can afford is a humble room in a boarding house in the heart of the neighborhood.

© Luca Meola

The Cortiços
The Cortiços: most of the tenement housing areas in the neighborhood consist of a single bedroom and a small bathroom. Children play in the corridors and gather in the rooms where large families sleep together. Although the structures of these buildings are very degraded, there is a spirit of solidarity and a sense of community.

© Luca Meola

Violence in the neighborhood
A moment of tension in october 2020 between police officers and addicted drug users. Such confrontations are frequent; In september 2020 , the city’s human rights commission declared that the measures adopted by public security have led to a surge in violence, with the misuse of non-lethal weapons, teargas and torture.

© Luca Meola

José Carlos
José Carlos was injured in one of the frequent conflicts between users and police.

© Luca Meola

Walder
Walder with his dogs Maiara and Mayarisa. For Walder, his cart is a house and, at the same time a working tool. He earns his living by collecting materials such as iron, aluminum, plastic and cardboard on the street, which he later resells in the city’s recycling centers. The hard work is rewarded: with his cart to collect the materials Walder manages to earn up to 150 reais a day.

© Luca Meola

A birthday party
Birthday party in a tenement in the Cracolândia region. Even with a pandemic outbreak, there is no social distance in the region and almost nobody wears masks. Many wonder why the population so exposed has not yet been decimated. Users and residents of the area ironically joke that it is the smoke that keeps the virus away.

© Luca Meola

Tati
At nightfall, on the horizon, the statue of Christ the Redeemer, seems to watch over and protect those who live in this troubled region. Tati lives in the ruins of an abandoned parking lot next the concentration of drugs users. Those old buildings in the neighborhood will be demolished to build new housing.

© Luca Meola

Half a gram of crack
Half a gram of crack paid 20 reais. It seems that everything in this suburb revolves around this seemingly harmless little rock. A survey by the UNIFESP (Federal University of São Paulo) Alcohol and Drug Research Unit revealed that, on average, 1,680 people consume drugs daily in Cracolândia. The study also points out that each user spends R$ 192.50 a day on crack.

© Luca Meola

San Paolo, Brasile
www.lucameola.com

 

Fotografo documentarista freelance, nato a Milano nel 1977, è laureato in Sociologia. Nel 2003 si è trasferito in Bolivia dove ha lavorato con un’organizzazione per i diritti umani. Negli ultimi anni ha sviluppato progetti documentaristici per lo più personali e su commissione. Dalla fine del 2014 vive tra l’Italia e il Brasile dove ha avviato un progetto sulla megalopoli di San Paolo e ha iniziato a documentare la realtà della popolazione indigena in questa megalopoli brasiliana. Il suo lavoro è stato esposto in festival internazionali e pubblicato su riviste internazionali. È membro di Codici ricerca e intervento, ente di ricerca indipendente di Milano. È membro e collaboratore di EverydayBrasil e EverydayAmazon (EverydayProjects).